<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:media="http://search.yahoo.com/mrss/"><channel><title><![CDATA[papermind]]></title><description><![CDATA[writing by Dan Anderson]]></description><link>https://papermind.org/</link><image><url>https://papermind.org/favicon.png</url><title>papermind</title><link>https://papermind.org/</link></image><generator>Ghost 5.82</generator><lastBuildDate>Sun, 19 Apr 2026 23:14:12 GMT</lastBuildDate><atom:link href="https://papermind.org/rss/" rel="self" type="application/rss+xml"/><ttl>60</ttl><item><title><![CDATA[Still Life at Good Brother]]></title><description><![CDATA[<p>The cafe table was unconsciously set. My laptop, coffee, a tin caddy&#x2014;I think an ikea design&#x2014;holding napkins, cutlery, sugar packets. Each thing was placed by a different hand, was placed to serve a separate purpose, each of which are only coordinated at the level of life-projects,</p>]]></description><link>https://papermind.org/still-life-at-good-brother/</link><guid isPermaLink="false">68b38207c3390e05642d7414</guid><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Sat, 30 Aug 2025 23:50:23 GMT</pubDate><content:encoded><![CDATA[<p>The cafe table was unconsciously set. My laptop, coffee, a tin caddy&#x2014;I think an ikea design&#x2014;holding napkins, cutlery, sugar packets. Each thing was placed by a different hand, was placed to serve a separate purpose, each of which are only coordinated at the level of life-projects, aesthetics, culture. At this level, set. On the table, unconsciously.</p><p>The corner of my laptop begins a line of perspective that touches the saucer of the coffee cup and terminates on the rounded tin edge of the cutlery caddy. At every point, this line is invisible, existing as a relation between the three objects but now that I see it, tangible. My eye can follow its course. Where ever it touches, other lines diverge. The base of the laptop, black metallic, sharp-edged and high contrast against the lacquered orange veneer of the cafe table. Diverging at a narrow, organic angle. The angle of a branch on a rose bush growing up to compete for light and blooming space. When it touches the saucer, the line meets the potential of orbit. I can see it as tangent, heading straight on with only the infinitisimal kiss, or embraced in the gravity well of the cup, describing a circle. It&apos;s escape velocity would take it to meet the far edge of the laptop, or maybe it never escapes. The saucer is a lighter, gloss grey, a fixed wetness, river clay still damp, held in its organic freshness for industrial consumption. The metallic dark of the laptop and light grey of the saucer are matched tones in a palette. Matt, gloss, harmonious contrasts. The invisible line, the tangent, splashes at the foot of the tin caddy. Touching on the apex of the curve, dividing an running off out of sight around the far and near corners. The height of the caddy makes it clear that the line is touching on the bottom of the tin. This is an object with more dimensions than the flat plane of the laptop base and saucer. It&apos;s matt tin surface is a tone lighter again in the grey pallette. Three objects, fallen together. </p><p>Until the waiter comes and asks if he can take the cup. Agreeably, I give permission while internally resenting myself and him. He carries it off and the relation is gone. The tin caddy and laptop drift apart in liquid brown space. Any line connecting them is now arbitrary. The space aches for the absent saucer. I feel my body respond to this longing. </p><p>This little thing that was unobserved by anyone other than me. I was tempted to say it never existed for anyone other than me. Language is primed for that expression. But it lacks skill. This still-life existed for anyone. It was witnessed by one.</p>]]></content:encoded></item><item><title><![CDATA[Barking]]></title><description><![CDATA[<p>A dog barks in the early morning, while lying in the mind-racing moment when dreaming and day have not fully resolved into one or the other, when the body is cocooned and yet porous, with the intimate smell of under-washed sheets and shared warmth of two bodies. The sound is</p>]]></description><link>https://papermind.org/barking/</link><guid isPermaLink="false">68aa467bc3390e05642d7357</guid><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Sun, 24 Aug 2025 00:07:19 GMT</pubDate><content:encoded><![CDATA[<p>A dog barks in the early morning, while lying in the mind-racing moment when dreaming and day have not fully resolved into one or the other, when the body is cocooned and yet porous, with the intimate smell of under-washed sheets and shared warmth of two bodies. The sound is a crystal spike of refrigerated water spilled into the armpit of a spent lover. Evacuated of eroticism, play, and with none of the refreshment and endorphin high that chases cold. Pure sonic anxiety. </p><p>The bark speaks directly to the nervous system. With a modicum of mindfulness, it is possible to feel it penetrate the skin, the gland&apos;s secretion of adrenaline, the correspondent rush of heart. There is no concept or abstraction through which the sound passes and becomes a command. It is not tasted then metabolised into interior language. It does not conjure the imagination of a state of affairs into which the body acts. And yet the body acts, responds. It joins the self&apos;s narration of the world only as an epilogue. Shut up you bloody minded canine.</p><p>Sadly, the irony is lost on dogs that they have evolved a Pavlovian command over the human body. </p><p>The day that proceeds was barked into consciousness. The human life that proceeds has barking as a minor secondary cause. It is a production of barking. Other things of course but not altogether dissimilar things: the self-constituting effect of the world&apos;s claims on us and our capacity to turn them into communication. We are made of relations with other creatures, the world commands, constrains, invites, enjoins, barks at us. But a bark doesn&apos;t make a human until we turn it into words about barking. Even if they are just words for one&apos;s self. We are those creatures who observe our bodies, question the meaning of our dreams, listen to barking with the capacity to describe what it means for the dog, for the man in bed, for the neighbours, for the world. And even to turn it into prayer.</p>]]></content:encoded></item><item><title><![CDATA[Street Level Predestination]]></title><description><![CDATA[<p>On the 6th October 1810 the last Autocrat of Sydney, having lived 9 months in the town, found himself fidgety with feeling over the state of street names. Consequently, a notice appeared in the <em>Sydney Gazette</em> making known the will of Governor Lachlan Macquarie. </p><blockquote><em>His Excellency the governor, being extremely</em></blockquote>]]></description><link>https://papermind.org/street-level-predestination/</link><guid isPermaLink="false">6634f27c9437b70ab151e747</guid><category><![CDATA[Seeing]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Fri, 12 Apr 2024 12:59:01 GMT</pubDate><content:encoded><![CDATA[<p>On the 6th October 1810 the last Autocrat of Sydney, having lived 9 months in the town, found himself fidgety with feeling over the state of street names. Consequently, a notice appeared in the <em>Sydney Gazette</em> making known the will of Governor Lachlan Macquarie. </p><blockquote><em>His Excellency the governor, being extremely desirous to do everything in his power that can in the least degree contribute to the ornament and regularity of the town of Sydney... </em></blockquote><p>Extremely desirous.</p><blockquote>[H]is Excellency deems it expedient to give regular and permanent names to all the streets and ways leading through the town, and to order posts and finger-boards, with the names of the streets painted on them, to be erected in conspicuous parts of the different streets where they cross each other, as well as at their respective terminations. These posts and finger-boards are accordingly to be immediately put up, and the streets are henceforth to be known and called only by the new names now given them&#x2026; [1]</blockquote><p>[1] 6 October 1810 Sydney Gazette in The Birth of Sydney. Edited by Tim Flannery. The Text Publishing Company. Kindle Edition. First Published 1999.</p><p>The result was the transformation of a series of rows and ruttings largely known by their use within the military camp: Back Soldier&apos;s Row, Middle Soldier&apos;s Row, Chapel Row, Barrack Street were transmuted into Kent, Clarence, Castlereagh, and York. But they still ran along the lines that some unremembered Adjutant directed when the soldier&apos;s first pitched their tents and jostled for positions on the ridge.</p><p>Those streets, laid down within their own matrix of necessity and contingency, have seen a city grow up around them. Each day they guide and direct the footsteps of a hundred thousand souls in their courses. </p><hr><p>If my footsteps are ordered by the Lord, then his providential pathmaking has been effected in no small part through the laying down and naming of city streets. Do you see it? The places that I have come to in this city, the events and timings that have shaped my life in this place were brought into existence (granted, secondarily) by the available footpaths between its buildings. The course of my life&#x2014;the names I have for it&#x2014;where given me by a Scotsman on 6 October in 1810. When you think about providence and predestination, do you think from street level?</p>]]></content:encoded></item><item><title><![CDATA[The Last Hobbit]]></title><description><![CDATA[<blockquote>In those days of our tale, there were still some people who had both elves and heroes of the North for ancestors and Elrond, the master of the house, was their chief. He was as noble and as fair in face as an elf lord, as strong as a warrior,</blockquote>]]></description><link>https://papermind.org/the-last-hobbit/</link><guid isPermaLink="false">6634f27c9437b70ab151e74e</guid><category><![CDATA[Seeing]]></category><category><![CDATA[Friendship]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Fri, 12 Apr 2024 12:34:34 GMT</pubDate><content:encoded><![CDATA[<blockquote>In those days of our tale, there were still some people who had both elves and heroes of the North for ancestors and Elrond, the master of the house, was their chief. He was as noble and as fair in face as an elf lord, as strong as a warrior, as wise as a wizard, as venerable as a king of dwarves and as kind as summer. <br>&#x2014; J.R.R. Tolkien, <em>The Hobbit</em>, Chapter 3 &apos;A Short Rest&apos;</blockquote><p>It is as though the Elf-Lord has departed for Aman and with him the last of the great and good. He has left in charge of his house a hobbit, a creature of comfort, not fitted out for greatness by either frame or habits. Little qualified and that only by friendship and, on his best days, the desire to bear failing-witness to the traditions of hospitality which once brought healing and wholeness to his heroes. </p><blockquote>[S]uch was the virtue of the land of Rivendell that soon all fear and anxiety was lifted from their minds. The future, good or ill, was not forgotten, but ceased to have any power over the present. Health and hope grew strong in them, and they were content with each good day as it came, taking pleasure in every meal, and in every word and song.</blockquote><p>By virtue of the hospitality of this house, fellowships were formed, quests were formulated, weapons forged, aid sought and sent. And once this was all that stood between the world and its ruin.</p><blockquote>Elrond summoned the hobbits to him. He looked gravely at Frodo. &#x201C;The time has come,&#x201D; he said. &#x201C;If the Ring is to set out, it must go soon. But those who go with it must not count on their errand being aided by war or force. They must pass into the domain of the Enemy far from aid. Do you still hold to your word, Frodo, that you will be the Ring-bearer?&#x201D;<br><br>&#x201C;I do,&#x201D; said Frodo. &#x201C;I will go with Sam, and Gimli too has said he will come.&#x201D;<br><br>&#x201C;Then I cannot help you much, not even with counsel,&#x201D; said Elrond. &#x201C;I can foresee very little of your road; and how your task is to be achieved I do not know. [&#x2026;] You will meet many foes, some open, and some disguised; and you may find friends upon your way when you least look for it. I will send out messages, such as I can contrive, to those whom I know in the wide world [&#x2026;]. And I will choose you a few more companions to go with you, as far as they will or fortune allows.&#xA0;<br><br>&#x2014; J.R.R. Tolkien, <em>The Fellowship of the Ring</em>, Book II Chapter 3.</blockquote><p>He can&apos;t be Elrond. Sometimes travellers come looking for the Elf-friend. He is embarrassed by their gentle disappointment. Some nights he tries on the old suits of armour and swings a sword but he can&apos;t carry them off with any dignity. It stings. More than a little. But he banks up the coals and keeps the house warm.</p><p>Still sometimes a stranger comes. Not looking for him or anyone really, but needing friends and to be pointed in a direction. And by ones and twos others wind their way up the path and pull up a chair. His tea is often better brewed than his counsel but as their hands warm, a fellowship emerges and a quest. The old magic of hospitality is not yet wrung out. Before long the roads of the wide-world will be trod by wayfarers and no one knows what might come of it.</p><p>He practices and practices at the hospitality of hope. <br>I dare to see some grace in this life.</p>]]></content:encoded></item><item><title><![CDATA[The Unquantification of All Things]]></title><description><![CDATA[<p>Wine was made from water<br>Gallons, litres, what measurement<br>Counts miracle wine?</p><p>Taste it!<br>Swirl and catch the light<br>Swish it around your mouth<br>Suck in air, breath through its quality<br>Drink deep his glory,<br>The Uncountable Word</p><p>Alpha and Omega<br>Was and With Of God<br>Lamb for Sin<br>life</p>]]></description><link>https://papermind.org/the-unquantification-of-all-things/</link><guid isPermaLink="false">6634f27c9437b70ab151e74d</guid><category><![CDATA[Poetry]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Wed, 10 Apr 2024 03:49:57 GMT</pubDate><media:content url="https://papermind.org/content/images/2024/05/My-Art-1.jpeg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2024/05/My-Art-1.jpeg" alt="The Unquantification of All Things"><p>Wine was made from water<br>Gallons, litres, what measurement<br>Counts miracle wine?</p><p>Taste it!<br>Swirl and catch the light<br>Swish it around your mouth<br>Suck in air, breath through its quality<br>Drink deep his glory,<br>The Uncountable Word</p><p>Alpha and Omega<br>Was and With Of God<br>Lamb for Sin<br>life for a friend<br>silence for an answer<br>emptiness for a grave<br>Son for a world</p><p>An Hour is coming, and is Now<br>The Word whispers to a thirsty woman</p><p>Numbers counted for nothing<br>Until they counted for grace<br>In that moment,<br>At that extent, Behold!<br>All things, every numbered one<br>New.<br>All became gratuitous<br>Enumerating praise</p><p>In that Day<br>As love conquers war<br>Quantity has a quality<br>All its own.</p>]]></content:encoded></item><item><title><![CDATA[Celestial Mechanics]]></title><description><![CDATA[<p><em>For Evie, when she holds my hand.</em></p><p>Arriving, we expand from the car.<br>And I wait while you collect your stuff, the unfathomable bits of personified fluff that you have trapped in your orbit:&#xA0;<br>Soft toys; knitted ropes; lipper; crumpled notes.&#xA0;<br>The accretion disk of your formation.<br>I,</p>]]></description><link>https://papermind.org/celestial-mechanics/</link><guid isPermaLink="false">6634f27c9437b70ab151e74c</guid><category><![CDATA[Fathering]]></category><category><![CDATA[Poetry]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Fri, 13 Oct 2023 04:40:39 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/10/IMG_1691.jpg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/10/IMG_1691.jpg" alt="Celestial Mechanics"><p><em>For Evie, when she holds my hand.</em></p><p>Arriving, we expand from the car.<br>And I wait while you collect your stuff, the unfathomable bits of personified fluff that you have trapped in your orbit:&#xA0;<br>Soft toys; knitted ropes; lipper; crumpled notes.&#xA0;<br>The accretion disk of your formation.<br>I, your natural philosopher.&#xA0;<br>You, the copper star.</p><p>I walk beside you with my hand trailing.<br>Not reaching for yours but not buried in a pocket.&#xA0;<br>Not clenched but terrifyingly open to the vacuum of your space.<br>Wandering. If your small hand will&#x2026;</p><p>Empiricism, prayer, both wait upon results<br>With a heart flutter of longing,<br>Addressing ourselves to God in hypothesis, experiment,<br>And fear of failing.</p><p>Unconscious as breath, your hand whispers into mine.</p><p>This constellation of love I call daughter,<br>Having astrological power,<br>To turn man&#x2014;not into wolf&#x2014;into a gambolling puppy;<br>A great blazing spiritual comet tail wagging behind me.<br>To turn the matter of man into this father.&#xA0;<br>Your innocent gravity&#x2019;s happiest prisoner.<br>Your celestial mechanic.<br>Your Dad.</p><p>Remember who loves you today.<br>This my child&#x2019;s blessing for my child&#x2019;s blessing.</p>]]></content:encoded></item><item><title><![CDATA[Layering]]></title><description><![CDATA[<p><em>For Nat. 11 Years.</em></p><h2 id="i">I.</h2><p>Walk the trail ahead of me into the wild country at the southern end of Namadgi. An unprepossessing trail head &#x2014; the first sign of beauty is the alpine swamp &#x2014; but the light of the late mid-winter afternoon is already turning the moments golden.</p>]]></description><link>https://papermind.org/layering/</link><guid isPermaLink="false">6634f27c9437b70ab151e74a</guid><category><![CDATA[Fathering]]></category><category><![CDATA[Seeing]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Mon, 24 Jul 2023 12:33:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/10/layering.webp" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/10/layering.webp" alt="Layering"><p><em>For Nat. 11 Years.</em></p><h2 id="i">I.</h2><p>Walk the trail ahead of me into the wild country at the southern end of Namadgi. An unprepossessing trail head &#x2014; the first sign of beauty is the alpine swamp &#x2014; but the light of the late mid-winter afternoon is already turning the moments golden. The snow grass lies crushed and witnessed by the white and grey piety of the snow gums. And we will sleep among them.</p><p>I carry the pack with the tent and food and nearly everything. Your bag has only your sleeping bag and mat. I feel the weight on the steeper sections and you dance ahead. Everywhere you look for sleeping places, any clear bit of grass. You have no sense of the journey &#x2014; its duration or its destination. I promise that we will come back to these places if there isn&#x2019;t something better ahead. I know there is.</p><p>The trail rises and becomes more and more stoney. The trees reduce in size but gain in stature. Hundreds of years old. Years of frost and fire. Buried for seasons under snow. Burning in a fierce day. The slow, slow growth of endurance then the twisting, cracking, inferno and a slow, standing death. In these mountains there are hundreds of square kilometres of bleached, charred, reaching timber. Two catastrophic fires, both in my time, ravaged the mountain forests. After the 2003 fires, the dead trees were like a white rind on the hills. I used to wonder if they would ever grow back. But slowly, slowly, season by season, there is more green below the white, dead branches.</p><p>As the trail rises above the snow line, between the trees grow the plants of the alpine heath, until as the track starts to level and the western sun is pouring over the crest at us, the trees hold their places and leave the heath to stand open to the sky. We come to the trig station at the top of the mountain. You place your stone on the cairn and we walk on.</p><p>Abraham, my father, who took your beloved son Isaac and walked with him into the wilderness, who built with him the cairn of stone and gathered the timber from long enduring trees for burning, I did not think of you while we walked over our hill. I delighted in the sun touched grass and the sun touched hair of my boy. I delighted in his delight in the mountains. Although the far range was darkly blued with snowclouds and as we stood on the granite tors drinking in the view of the wild valley below, snow flew from the storm into the sun, so that wind, snow, sun, the ascription of forest, the whirling blue, and smell of rocks cold and sphagnum, and the stinging, livening flakes, gold and grey dark, passed by us proclaiming something of glory. No doom hung over us. No great deed. No test. No righteous-making faith. No trust that I would be given him back alive even while hand raised to take. We dwell in a momentous fullness of provision that means this mountain can be just a mountain and the just be only a Dad and his boy.</p><h2 id="ii">II.</h2><figure class="kg-card kg-image-card"><img src="https://papermind.org/content/images/2023/10/0-3MjhYw8sKsnQ9QFJ.webp" class="kg-image" alt="Layering" loading="lazy" width="1280" height="960" srcset="https://papermind.org/content/images/size/w600/2023/10/0-3MjhYw8sKsnQ9QFJ.webp 600w, https://papermind.org/content/images/size/w1000/2023/10/0-3MjhYw8sKsnQ9QFJ.webp 1000w, https://papermind.org/content/images/2023/10/0-3MjhYw8sKsnQ9QFJ.webp 1280w" sizes="(min-width: 720px) 720px"></figure><p>We pitched our tent under the lee of a rock on a ledge looking over the valley and sat while the light faded watching the snow fall on the mountain opposite. When you crawled into your sleeping bag, the tent spilled light out over the rock ledge and the lee. I sat in the twilight and drank in the view. And when in the night the wind came roaring up the side of the valley and around the rock, beating the tent even snug in the lee, I changed positions while you slept and lay against the wall of the tent so that its flapping wouldn&#x2019;t bother you.</p><figure class="kg-card kg-image-card"><img src="https://papermind.org/content/images/2023/10/0-EUcH-2HhTi055xkp.webp" class="kg-image" alt="Layering" loading="lazy" width="1280" height="1023" srcset="https://papermind.org/content/images/size/w600/2023/10/0-EUcH-2HhTi055xkp.webp 600w, https://papermind.org/content/images/size/w1000/2023/10/0-EUcH-2HhTi055xkp.webp 1000w, https://papermind.org/content/images/2023/10/0-EUcH-2HhTi055xkp.webp 1280w" sizes="(min-width: 720px) 720px"></figure><p>The morning was freezing. Wind like a knife. We pulled down the tent and lit a fire in the crevice behind the rock. I exploded two tins of spaghetti and realised I&#x2019;d failed to bring any cutlery. So we cooked cheese kranskys and ate them with a pocket knife and a folding plastic fork from a cup of instant noodles. I made tea in the tea tins &#x2014; I&#x2019;d also forgotten cups &#x2014; that was half water and half sweetened condensed milk. It was sweet even for me.</p><h2 id="iii">III.</h2><p>Layers matter when walking in winter in the High Country. Something soft and breathable nearest your skin: an open weave cotten singlet. Next a moisture absorbing or wicking layer: a good old flannelette shirt works well. Then thin, fine-knit wool. The layers shouldn&#x2019;t be more than a total half-centimeter in thickness. And light, not retricting movement. Over this goes a weatherproof shell. You can get by with something cheap as long as its windproof and waterproof.</p><p>You can buy thermals, moisture wicking shirts, ultra fine merino, bespoke combinations of elastane and so called &#x201C;technical fabrics&#x201D;. Garments sown up with intellectual property and status signalling. I own a few of these things and as much as I&#x2019;d like to deny it, they are comfortable. At their best, technical fabrics breathe better than basics. This means that water tends to evaporate through the material rather than building up as sweat or condensation on the inside of layers. This is particularly useful for the skin-nearest layer and the outer shell. It makes you feel more comfortable whilst you&#x2019;re moving. It might also save you from bad windchill if you need to take off the outer layer. But technical fabrics aren&#x2019;t necessary, layering is what matters. The right kind of layers. Knowing how to wear them. Knowing what they are for.</p><p>Watch out for obsession with gear. Gear attempts to make skill and wisdom obsolete. At its best, gear displays the skill of its designer. And the best of us are tempted by gear when it shows us a new way to solve a problem &#x2014; when it is clever. At its worst, gear is something placed upon the body or overlaid on the world that trades on the beauty of skill to enmesh us in social signalling. Gear insulates us against the lessons that the world might teach. It builds a buffer between us and our mistakes. It makes patience and curiosity surplus. It overpowers rather than works through. It quietens the speech of the world and makes louder our self-consciousness. It enmeshes us more in our social frame.</p><p>Instead, pay attention to the world: the quietly held formations of causation and probability that are willing to train the hands and feet of the curious; the quietly held practices of the wise shown while stooping by the shoulder of the young. There is self-forgetfulness in this attention to our teachers. And self-forgetfulness in exercising what we have learned. And yet, we are somehow becoming more securely ourselves in this attentive reception &#x2014; in receiving what the world gives. Wisdom is marked by joy in finding the way. Certain ways are made known to those who can listen to the speech of the world.</p><p>The challenge of wisdom in this age is to live with layers beyond the social frame &#x2014; to live in an expansive conversation with the world and with God. Skill in living grows out of the conversation between ourselves and the world. Meaning in living grows out of the conversation between ourselves and God. Have both.</p><p>It&#x2019;s ok to have gear but let it be for walking, sleeping, exploring the country, layering effectively, writing well &#x2014; try to hold it within this stance toward the world.</p><p>Also, I&#x2019;ve never regretted taking along a piece of wire.</p>]]></content:encoded></item><item><title><![CDATA[Man’s Best Offer]]></title><description><![CDATA[<p>A pigeon bobs between the table legs with a shawl about its neck like oil while dogs gaze with an entirety of purpose, the sharp lines of their bodies&#x2014;noses, ears&#x2014;converging on a human, its figure or absence. Looking at the doorway of the cafe where the</p>]]></description><link>https://papermind.org/mans-best-offer/</link><guid isPermaLink="false">6634f27c9437b70ab151e748</guid><category><![CDATA[Seeing]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Sat, 01 Apr 2023 04:15:09 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/04/papermind_an_australian_blue_heeler_standing_outside_a_cafe_an__76b4a944-e804-4e54-894f-7bcb15615383.png" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/04/papermind_an_australian_blue_heeler_standing_outside_a_cafe_an__76b4a944-e804-4e54-894f-7bcb15615383.png" alt="Man&#x2019;s Best Offer"><p>A pigeon bobs between the table legs with a shawl about its neck like oil while dogs gaze with an entirety of purpose, the sharp lines of their bodies&#x2014;noses, ears&#x2014;converging on a human, its figure or absence. Looking at the doorway of the cafe where the owner has gone to order or up at the face reading body language. Seeking to decode the intense web of human social communication and meaning into which the dog is admitted, bred for, depends but floats beneath. Its most perfect yet uncomprehending student. Catching fragments of language, intuiting actions from context and expressions, even bringing foreign knowledge and capability to bear on the problem&#x2014;smelling the health or mood of the moment. Always a stranger in tongues on his first day in an ancient city. Experiencing that submersion of consciousness in first-hand experience that affects even human minds when we try to build models of new cultures. Dog is always unreflectively present but straining towards mind, model, language, abstraction, theory, understanding, the Spirit. Dog is hovering on the edge of knowing us, desperate but unable. Not our friend but a perpetual Offer of Friendship. </p><p>If dog self-consciousness were to emerge, would the new risen thinkers survive the sudden crushing home-sickness that must be accumulating relentlessly?</p>]]></content:encoded></item><item><title><![CDATA[Let Me See One Last Thing]]></title><description><![CDATA[<p><em>For Evie</em></p><p>When you see what I have seen<br>And see it better<br>When you love what I love, and better,<br>Then let my hand slip from yours<br>Do not grasp<br>And let me fall behind you on the strand<br>And pass<br>Let me see one last thing you have</p>]]></description><link>https://papermind.org/let-me-see-one-last-thing/</link><guid isPermaLink="false">6634f27c9437b70ab151e73e</guid><category><![CDATA[Poetry]]></category><category><![CDATA[Fathering]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Mon, 29 Aug 2022 06:30:25 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/04/IMG_1991.jpeg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/04/IMG_1991.jpeg" alt="Let Me See One Last Thing"><p><em>For Evie</em></p><p>When you see what I have seen<br>And see it better<br>When you love what I love, and better,<br>Then let my hand slip from yours<br>Do not grasp<br>And let me fall behind you on the strand<br>And pass<br>Let me see one last thing you have not seen or loved<br>You in your flower<br>And I will be well.</p>]]></content:encoded></item><item><title><![CDATA[The Way In]]></title><description><![CDATA[<!--kg-card-begin: html--><p><b>An encounter between our hero and a stranger on a hilltop.&#xA0;</b></p>
<p>An observatory, the creaking sounds of telescopes moving in the dark, the white domes the only things visible in the pine forest. Creeping in along the road past the locked gate, no cars allowed &#x2013;  light pollution.</p>
<p>The</p>]]></description><link>https://papermind.org/temp-slug-419/</link><guid isPermaLink="false">6634f27c9437b70ab151e736</guid><category><![CDATA[Fragments]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Sat, 05 Feb 2022 01:32:13 GMT</pubDate><content:encoded><![CDATA[<!--kg-card-begin: html--><p><b>An encounter between our hero and a stranger on a hilltop.&#xA0;</b></p>
<p>An observatory, the creaking sounds of telescopes moving in the dark, the white domes the only things visible in the pine forest. Creeping in along the road past the locked gate, no cars allowed &#x2013;  light pollution.</p>
<p>The door-keeper to the other world, an astronomer</p>
<p>&#x201C;When you look up, what do you see?&#x201D;</p>
<p>&#x201C;Black, some stars, the moon sometimes&#x201D;</p>
<p>&#x201C;Not stars, worlds.&#x201D;&#xA0;</p>
<p>That was how he came to learn the constellations, to begin helping the astronomers with the telescopes&#xA0;</p>
<p>Do you believe that we live in a disenchanted world? The light pollution in the cities means we never look up and out into the Universe, we never see world upon world.&#xA0;<br> 
<b>In which our hero travels to the country</b></p>
<p>That was how we came to have the first sight &#x2013; the smell of the grass expiring in the evening, the warm, dry summer grass &#x2013; the white blue of the day still lingering at the edges of the sky, but at the zenith, the dome polished clear and black-blue, a window for gazing out at the Universe over a bed of golden grass.</p>
<p>The giant full-moon &#x2013; the ship sailing up the valley</p>
<p>How he came to be in the paddock in the dusk &#x2013; his parents<br>
<b>How do they sail? How are they undetected? They sail in and out of Faere.&#xA0;</b></p>
<p>How does he first come to be taken aboard?<br>
What are his adventures?</p><!--kg-card-end: html-->]]></content:encoded></item><item><title><![CDATA[Joyfully Wrong]]></title><description><![CDATA[<p><em>For Nat, in his 9th year.</em></p><p>Follow Rossi Street to its terminus and you&#x2019;ll find an unexpected fold in the land. It marks one possible end of the town of Yass. A geological circumstance&#x2014;a fault&#x2014;swallows the river and on either side the lolloping hills</p>]]></description><link>https://papermind.org/joyfully-wrong/</link><guid isPermaLink="false">6634f27c9437b70ab151e738</guid><category><![CDATA[Fathering]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Sat, 22 May 2021 16:58:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2022/02/1-fOqwdUTj1E49OSRxez2xtg.jpeg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2022/02/1-fOqwdUTj1E49OSRxez2xtg.jpeg" alt="Joyfully Wrong"><p><em>For Nat, in his 9th year.</em></p><p>Follow Rossi Street to its terminus and you&#x2019;ll find an unexpected fold in the land. It marks one possible end of the town of Yass. A geological circumstance&#x2014;a fault&#x2014;swallows the river and on either side the lolloping hills of the Southern Tablelands become momentarily strenuous. Precipitous slopes with rocky striations like ribs on an indrawn breath.</p><p>Remember when we walked here? You, your sister and me.</p><p>The afternoon light was beginning to pick the colours and patterns from the river stones as we jumped from rock to rock across the stream. The murmur of the river on its bars. The tiny finches in stop-motion animation through the tea-trees. The smell of tumbling water and settling mud&#x2014;for me the smell of youth.</p><p>We met a holy Fool astride a rock in the flow. You&#x2019;ll not remember this because you ignored him, busy with exploration. I talked with him a while, while you yelled periodically to &#x2018;come and look&#x2019;.</p><p>Drunk and drug addicted, he&#x2019;d fallen many years past and damaged his brain. A photographer, he waited in the river for the sun to set so he could take the river&#x2019;s portrait in the dark. He pointed out the composition. It made sense to both of us. He told me about the time he photographed the face of God in the clouds above the Catholic church in Yass. Afraid to look, he pointed the camera with his face averted. A Moses for our times.</p><p>Eventually your insistence drew me from him and we skipped across the water, finding our path from rock to rock. Leaping and clinging. A complex of thrilling moments: the moment when I conceive of myself transferred from this place to that, conceiving of where my foot must fall and the trajectory my weight must follow so that I land securely. And then my body realises my imagination of itself. The moment when my mass passes the point at which I can change its course and I am leaping, wilfully abandoning my island refuge. Suspended in the air between certainty and uncertainty. And then the moment when my foot kisses the next rock, a lightening quick set of subtle adjustments as muscles absorb and distribute forces. The body rejoicing in capacity. The thrill of faith accomplished. And all of it drenched in river noise, blanketing out the world and making the inner life more present to mind.</p><p>In your imagination you are an explorer trailblazing. You take pride in showing me where to jump. You boast of your skill in path-finding. As did I. We make a picnic beside a deeper water hole. I talk about Banjo Patterson, a native son of these hills. I sing Waltzing Matilda and you both sit and listen. As always, I choke up a bit on the final verse. Australia&#x2019;s version of <em>&#x2018;Give me liberty or give me death!&#x2019;</em> but about a sheep. The anthem of a quieter, probably more profound, revolution. I can&#x2019;t sing it without hearing and repeating the invitation to become a pilgrim in search of that promised land: to come waltzing matilda until we find each man under his olive tree and vine, or coolibah tree and billy. The great blessing of this land is to make sojourners of us all.</p><p>We pick our way across the river one last time and then make our way across the top of the cliff back towards the car. The little girl has fallen in the river. Not every leap lands. She wails and decries this as the worst day of her life. I&#x2019;m pretty sure that isn&#x2019;t true. Notice: suffering robs us of perspective and destroys all memory of blessedness.</p><p>And then we come to a place where you and I have a disagreement about how to proceed. You are adamant that if we walk a little further up the hill we will intersect with the original trail we followed down. I am perfectly sure that we need to continue further along the side of the hill. We argue about it.</p><p>Your moment is frustrating: a stage of social development in which you are increasingly conscious of your own capacity but constantly thwarted in its execution. You are a pathfinder. You are full of theories about the world. You have desires and projects but so often you do not have the autonomy to pursue them. You are dependent on my final assent or my provision of resources. It&#x2019;s often unfair but, on balance, it probably keeps you alive. As we argue, we are in one of those moments.</p><p>I am very confident that you are wrong. I could simply override your will and coerce you to walk my path. In many of these circumstances I would do that. I&#x2019;m still far better at calculating all the externalities of decisions. Even if you never see it, even if all you remember is the frustration and bitterness at me, those moments of imposition are still frequently better than not.</p><p>But on this occasion, God be praised, I decided to wager with you instead. We are both confident in our assessments. So let&#x2019;s price that confidence. We will go your path, but if you are wrong you will give me $10 and vice versa. How great is your confidence? How much do you value your decision? I have given you a signal of how confident I am in my rightness. I watch you calculate and then accept. I am still sure that you are wrong.</p><p>It is only another 20 or 30 metres through the tall grass, over the curve of the hill, and we are back on the track from where we had started. You are the rightest little matey in Australia. You seek my face with a grin but also some trepidation. You&#x2019;re not sure how I will react to being so publically wrong. Honestly, most of the time I&#x2019;d have been humilitated and sulked. But with a roar of laughter and a shout of praise that came from a full heart, I called to you. &#x201C;Well done son!&#x201D; And I caught you up in a hug. &#x201C;You backed yourself even when I leaned on you, you stuck to what you knew was right. I&#x2019;m so proud of you.&#x201D; And from you the full smile breaks out. You are proved to be a pathfinder.</p><p>It&#x2019;s not often that I am conclusively proved wrong when I&#x2019;m convinced I&#x2019;m right. When it happens, it&#x2019;s usually painful. I experience it as diminishment&#x2014;a little mini-death&#x2014;because my life is heavily invested in knowledge and cultural capital. I experience it as shame, because I do not want the stain of death and frailty to appear on me. Mortal foolishness, how I long to be freed from these patterns of thought, and by God&#x2019;s grace, one day I will.</p><p>The memory stays with me because on that hill above the river, the glory of God passed me by&#x2014;just the outskirts of his ways, mind you. But he was there as you gave me a taste of joyful wrongness.</p><p>The man curved in on himself can only experience wrongness as a threat. He lives lonely in his will-to-power. But breeze-brushed, sun tousled, in the success of the children we love, the heart is caressed and gently pried open to love beyond itself. When we love beyond ourselves, the success of those we love&#x2014;even at our own expense&#x2014;is not diminishment but satisfaction. The consciousness of my finitude and mortality does not sting with shame when I taste it while drinking in the knowledge of your growth and flourishing. When you are right, I am well.</p><p>Here, then, is a first sip of the draught that we will drink on the day we face our Lord&#x2019;s judgement. On that day, rightness will belong to Him alone. Learn this, son: if you can only experience being wrong as diminishment of your life, then that Day will be your true death. But if you have learned the secret of loving beyond yourself&#x2014;of loving <em>him</em> beyond yourself&#x2014;then there will be no shame in being wrong, no fatal diminishment. That sour will be so mingled with the sweet that it will only enhance the taste of his vindication. Only the roar of laughter, only the shout of praise: &#x201C;You are our pathfinder!&#x201D; I gladly repent me of my doubts and my foolish certainties. I am so joyfully, gratefully, <em>wrong</em>.</p>]]></content:encoded></item><item><title><![CDATA[Growing Pains]]></title><description><![CDATA[<p>Before the day starts, in the small hours when waking means lying awake, you came to me with a pain in your leg. The pain of growing. Your bones and ligaments, muscles adjusting to each other. A dull aching that never achieves sharpness but whose intensity&#x2014;lying awake&#x2014;</p>]]></description><link>https://papermind.org/growing-pains/</link><guid isPermaLink="false">6634f27c9437b70ab151e739</guid><category><![CDATA[Fathering]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Wed, 01 Apr 2020 16:16:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2022/02/1-bD405Zn7UvbYTuiGCFuD5w-1.jpeg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2022/02/1-bD405Zn7UvbYTuiGCFuD5w-1.jpeg" alt="Growing Pains"><p>Before the day starts, in the small hours when waking means lying awake, you came to me with a pain in your leg. The pain of growing. Your bones and ligaments, muscles adjusting to each other. A dull aching that never achieves sharpness but whose intensity&#x2014;lying awake&#x2014;rises and rises until unbearable. I remember it.</p><p>The night&#x2019;s pains are the day&#x2019;s unmasked. The stimulus of a day&#x2014;its sounds, sights, intentions, interaction with other people&#x2014;will crowd out dull pains. But in the darkness, like a faithless lover, attention frustrated of action gives itself to the body and its appendage, soul. Not an amorous sporting, desperate self-gratification, rough and cold. An old couple, she knows where it hurts. The dull pain was there before. With attention, it now cannot be borne.</p><p>I remember it.</p><p>You creep to me for comfort&#x2014;the warm body and warm smell of a father. And I love to comfort you. But the pain grows. So I take you into the kitchen to give you some paracetamol. Half a tab, for an eight year old. But you have had paracetamol once before, perhaps a year ago? And the bitterness burnt your tongue. And in the harsh fluorescent light of a kitchen at 4am, you fall to the floor pleading <em>no</em>. You cringe away. The fear grips you and your mind dissolves in front of me. The blind, downstairs brain taking over completely. And the combination of you fighting me away, and your fear, and your piteous cries for help&#x2026; like an acid burning my heart.</p><p>I want to help you. But its 4am. I try to hug and hold you to help you settle, but you are gone. I am angry, frustrated, I tell you I have no other help and send you back to bed still crying. Both helpless. And now we lie awake in our own beds, each with our own ache.</p><p>Later I realise where love failed. I offered help but couldn&#x2019;t abide its refusal. Helplessness&#x2014;too feared&#x2014;so I sent you away to save myself. Not staying and suffering with you&#x200A;&#x2014;&#x200A;suffering my own suffering to stay with you in yours. A broken image of a Father, I am.</p><p>So pray for this:<br>That we creep us together <br>Into the bed of Him who suffers to stay;<br>And there find comfort for our growing pains.</p>]]></content:encoded></item><item><title><![CDATA[The Sacrament of Cycling]]></title><description><![CDATA[<p><em>for Nat, turning seven</em></p><p>The tacit knowledge of a stride begins in the thigh, the four muscles of the quadriceps gathering, calling to the bend of the knee, tendons tightening, outstretching the calf, the ankle stiffening to encounter the unknown, fine bones of the foot splaying as they receive the</p>]]></description><link>https://papermind.org/the-sacrament-of-cycling/</link><guid isPermaLink="false">6634f27c9437b70ab151e73a</guid><category><![CDATA[Fathering]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Wed, 27 Mar 2019 13:00:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2022/02/1-kd5wuVUAQ_wKivIHoFDQEQ.jpeg" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2022/02/1-kd5wuVUAQ_wKivIHoFDQEQ.jpeg" alt="The Sacrament of Cycling"><p><em>for Nat, turning seven</em></p><p>The tacit knowledge of a stride begins in the thigh, the four muscles of the quadriceps gathering, calling to the bend of the knee, tendons tightening, outstretching the calf, the ankle stiffening to encounter the unknown, fine bones of the foot splaying as they receive the shock of the ground&#x2019;s kiss; the final lingering toe. The whole leaps and lands. Never thinking that perhaps the foot will this time miss and tumble its passenger into the earth&#x2019;s embrace. And every time it does not so, in every place, finding something indescribably new. Every footfall, the first time <em>this</em> step has been taken, <em>this</em> risk wagered and won. This, the stride, is what adventures are made of.</p><p>The length of my stride is 75 centimetres, give or take. Over broken ground it&#x2019;s less. But when I take this same armature of movement and exert it upon the peddle of a bicycle, the stride mounts up upon the soul of the world and finds its own lover. On a bike, a step can take you metres. If you&#x2019;re well positioned at the top of a favourable incline it might take you thousands of times that far. It will take you thoroughly away, and then, tired and sated, it may bring you home.</p><p>I love riding with you down the big hill on the way home from school. The anticipation of gathering speed, daring ourselves not to brake too soon. Heart and guts leaping. The sounds of the wind, buzz of the freewheel, rubber snicking the road. Relaxing our grip on the brakes is the release for you from the strictures of school; for me, of the performance of too many roles. It&#x2019;s inconceivable not to whoop and holler. Then intimacy of inertia giving the tightest of embraces as we swerve around the bend at the bottom. I hope that one day you&#x2019;ll feel that hug and think of your Father.</p><p>At first the bicycle appears a trick: something for nothing&#x2014;that for less effort you can go further and faster. But it isn&#x2019;t a trick. It&#x2019;s the deep rules of the universe.</p><p>Not the rules of Newton though. His physics will tell you that everything is constrained by the law that nothing is lost and nothing gained. The bicycle works by the application of leverage and force, the management of friction, redistribution of energies across a simple system. Look! It can be written in symbols. But watch out, my son, for mathematical representation! It always stands at a level of abstraction, a model that is as blind as it is revelatory.</p><p>The physics of grace is more true, more obvious, and less often seen by your friends. The universe contains an infinite amount of More. Always it waits for the hand outstretched to receive, the foot descending to discover. From nothing we came, and now we drink the strong, clear, <em>free</em>, water of life. We knew nothing, and God has given us words. All your life you have experienced this abundance. Always he gives us what we did not earn. He laid the foundations of the world on the beams of his grace. So, when you push upon the door, it opens to reveal more than you could possibly imagine. When you push upon the pedals, it carries you further than you deserve.</p><p>The gracefulness of a bicycle belongs to a world only <em>penultimately</em> ruled by entropy&#x2014;where the wheel turns to resurrections. Be generous, boy. There is no need to be afraid of scarcity when there are bicycles.</p>]]></content:encoded></item><item><title><![CDATA[The World is our teacher]]></title><description><![CDATA[<p><em><em>For Nat, beginning School</em></em></p><p>Ride the wind with me. To ride the wind &#x2013; in any form &#x2013; to fly a kite, loft a balloon in the gloaming, hear the snap of a sail, or glide on feckless membranes over a salt white deathful-playful roil &#x2013; to be grasped by</p>]]></description><link>https://papermind.org/the-world-is-our-teacher/</link><guid isPermaLink="false">6634f27c9437b70ab151e743</guid><category><![CDATA[Fathering]]></category><category><![CDATA[Seeing]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Mon, 19 Feb 2018 13:00:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/01/1-8JcJRigthaw5ep6kLkJLmw@2x-2.webp" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/01/1-8JcJRigthaw5ep6kLkJLmw@2x-2.webp" alt="The World is our teacher"><p><em><em>For Nat, beginning School</em></em></p><p>Ride the wind with me. To ride the wind &#x2013; in any form &#x2013; to fly a kite, loft a balloon in the gloaming, hear the snap of a sail, or glide on feckless membranes over a salt white deathful-playful roil &#x2013; to be grasped by the wind is to find your heart and fling it outward.</p><p>The wind never takes gently the kite from your fingers. It plucks like a fish sucking a bait, then strikes and runs.</p><figure class="kg-card kg-image-card"><img src="https://papermind.org/content/images/2023/01/1-1ZcwJR00RvrHstI-TGO8AQ@2x.webp" class="kg-image" alt="The World is our teacher" loading="lazy" width="1400" height="1866" srcset="https://papermind.org/content/images/size/w600/2023/01/1-1ZcwJR00RvrHstI-TGO8AQ@2x.webp 600w, https://papermind.org/content/images/size/w1000/2023/01/1-1ZcwJR00RvrHstI-TGO8AQ@2x.webp 1000w, https://papermind.org/content/images/2023/01/1-1ZcwJR00RvrHstI-TGO8AQ@2x.webp 1400w" sizes="(min-width: 720px) 720px"></figure><p>The implausibly green grass behind the cliff-drop is sacred, infinitely more space than the ten metres, to those who stand fizzing with the hot-cold anticipation of crossing. Then walk, run, leap, ask, into aether, <em><em>find me</em></em>.</p><p>I do not know if a sail catches or is caught by the wind. The fierce joy of waiting to find out is beating my heart. Do men chase after the wind, or are they chased? And by eternity? <em><em>Fling it outward.</em></em> Yah breathed his breath into my nostrils, and its exhalation is this longing. The chasing of eternity.</p><hr><p>One of the great lies you will learn at school is that the world is a place for your choosing. A void that you speak into and create. You will learn that the most important words are &#x2018;Let there be&#x2026;&#x2019; That there is a fullness within you &#x2013; a place full of dreams and desires, futures comprehended and waiting for articulation. You will be proferred the insipid orange cordial of expressive individualism. The canteen will daily retail the empty carbohydrates of pre-digested existentialism and anti-realism. You will be told that the world is nothing in itself, it is only what you make it. That the world is formless in itself, until you give it shape. That the world is meaningless in itself, until your choices give it meaning. All this is vanity. Pay it little attention.</p><p>At school they will try to teach you to chase dreams and desires. What they mean by this is make yourself useful. Be needed, loved, respected, then you will be safe enough. You will learn that lesson deeply before you can begin to unlearn it. So every day I whisper to you the question that unlocks the deeper knowledge. <em><em>Remember who loves you</em></em>. School yourself in its answer.</p><hr><p>I will show you the elevation of kites. The patience-rising-rush of a sail. The world will be our teacher. There is a fullness to be discovered in it. Words were already spoken, &#x201C;Let there be&#x201D;. <em><em>Listen</em></em>. When you match your works to its forms, then you can fly.</p><p>Many will call to you to chase this or that: mostly it&#x2019;s vapour.</p><p>As your father I say, <em><em>chase the wind</em></em>.</p><p>It has always been chasing you.</p>]]></content:encoded></item><item><title><![CDATA[Ways]]></title><description><![CDATA[<p>The Macquarie University train station took my breath away the first time I slipped below the surface of Herring Road: the long gliding descent into a cavern shaped like a monster&#x2019;s egg laid in the crust of a world&#x2014;vanished leaving only its negative space. I was</p>]]></description><link>https://papermind.org/ways/</link><guid isPermaLink="false">6634f27c9437b70ab151e744</guid><category><![CDATA[Seeing]]></category><dc:creator><![CDATA[Daniel Anderson]]></dc:creator><pubDate>Mon, 16 Oct 2017 13:00:00 GMT</pubDate><media:content url="https://papermind.org/content/images/2023/01/1-e08ZbYABmQdSfr7cw1eM1A.webp" medium="image"/><content:encoded><![CDATA[<img src="https://papermind.org/content/images/2023/01/1-e08ZbYABmQdSfr7cw1eM1A.webp" alt="Ways"><p>The Macquarie University train station took my breath away the first time I slipped below the surface of Herring Road: the long gliding descent into a cavern shaped like a monster&#x2019;s egg laid in the crust of a world&#x2014;vanished leaving only its negative space. I was entranced. But, now I ride up and down the escalators without giving much wonder.</p><p>Much of living is inattentiveness. One of the most significant tasks we perform with our highly developed brains is to <strong><strong><em><em>not</em></em></strong></strong> pay attention to things. We are constantly pinged with sensations: noise, smell, touch, visual stimulation, most of which is irrelevant to the things we want to do right now and so our brains quietly tune it out, relegate it to the vague background. If we were unable to do this we would be constantly overwhelmed by the world, endlessly distracted, incapable of a sense of self, lost and unable to act. But sometimes we deploy this extraordinary ability to filter reality in sadder ways.</p><p>A few weeks past, I rode the escalator down to the platform of the Macquarie University train station and landed standing next to someone who I thought I recognised. He thought he recognised me too. So we blinked at each other a few times and awkwardly smiled, waiting to see if the other would smile back. He did, I did. We said &#x2018;hello&#x2019;. He used to live with us at RMC. I asked where he was living now. He told me. I asked him how it was. Not so good, terrible really&#x2026; He pursues a goal&#x2014;a dream of competing for an athletic prize in figure skating that leads him to constant training. With his attention fixed on that goal&#x2014;early mornings on the ice, back again in the afternoons, competing, studying, working&#x2014;for him friendship has become impossible. I&#x2019;d barely ever had a conversation with him before but on the platform his heart was breaking in front of me. Humans wither without being known by others.</p><p>I put my hand on his arm and told him I was sorry, so sorry that he seemed so alone in it all. As the train arrived, he laid his hand along my cheek, left it there for a moment, looked at me wet-eyed, then turned away without saying anything else and walked quickly away to board the train on a different carriage: ashamed that I had seen his tears.</p><p>I rode the train that day in silence, sadness, and prayer.</p>]]></content:encoded></item></channel></rss>